Page 6 - LibroFashionArt 4

JOANA BONET Te bridge that Fashion Art creates between art and fashion is a dialogue Fleeing from novelty and gaining permanence is one of the objectives which between shape and background, although it’s also a mirror game. What so called art-wear proposes, joining the greatness of major arts with the relationship is there between color, texture and shape of things that cover humility of thread and needle. Saint Laurent made it very clear: “I have our bodies with beauty and attraction? And what is as well the relationship always respected this trade, which is not exactly an art, but needs an artist to between the tendency of fanciful and ephemeral cycles? exist”. Meanwhile, his partner and founder of the mythical frm, Pierre Berg, was asked by a journalist if his fashion was art. “Look,” he said, “fashion is No doubt it’s a detonator, a fash that ignites the intention of a look, even art if it’s made by an artist. In the same way there are Sunday painters, there though what really makes our arteries pump is of a very diferent kind: are Sunday designers, and we don’t have to be surprised because they are a permanence. It’s precisely the opposite of the fashion system described by majority”. Roland Barthes, faced with the urgency of understanding a dress as a body expression, receiving from it successive fashions as a synonym of the spirit Brave and innovative, Manuel Fernandez has pushed this concept without of time, of an impulse of life, and of the need of change. But while fashion’s frontiers. Te philosophy hidden behind Fashion Art is seeking a space commercial language insists on renovating itself, not every two or three where the worlds of fashion and art meet, “in a natural manner without great seasons, but rather every fourth or ffh, creating new wishes and therefore ornaments.” Canvassing over the body is art in another means of support. new needs, a current is born, determined to fnd a sense in outfts beyond Fashion Art creations are the most dynamic, capable of transmitting feelings the exhibition. Te novelty then looses prestige, while the past, vintage and and gestures, currents of energy, and means of understanding. It is in short heritage, gains importance in the reafrmation of the entity. art in movement. Pure Art